I think the frets are more or less it the right place up to a point- but aren't helped by the totally flat, wide profile vs a properly rounded (perhaps replacement) zero fret.
I'll do some precise measurements and see exactly how far out we're talking- I suspect it will just involve filling and recutting a few of the slots above the twelfth fret. The neck is slightly bowed as well, so I'll heat and clamp that at some point too. I've done that before with good results- it's all about getting a temperature point that will melt the glue between the fretboard and the neck.
It's not quite as unplayable as I've made out...but I'd like to get it as good as possible so I can happily whip it out on stage and scare people!
I've stripped the rubbery paint off now, which revealed the two holes on the headstock where the nameplate would have originally been. This confirms it as a Burns Weill to me, as they are pretty far apart. If they were closer it'd have just been a 'Weill' as those nameplates are half the size.
Managed to sort out the dead neck pickup by buying a set of slightly later weill pickups and carefully switching a working coil in there. The later ones were close, but not an exact match, so this seemed the best way to keep things working but originalStatistics: Posted by Mgeek — Fri Oct 01, 2010 9:17 am
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