by cheepaxes » Fri Jun 04, 2010 6:50 am
I haven't transcribed the stuff about their relationship when working together, which was apparently stormy. This picks up when Michael and Hull split:
"In 1948 the Michael-Hull team dissolved. Stanley Michael went on to the Sano amplifier company, known for its accordion amps, where he designed a line of amps very much like the Michael-Hull model. Everett Hull was left with the company, the Ampeg patent, $7,500 in liabilities, and $750 in working capital...
"After Stanley Michael and Everett Hull parted ways in 1948, Michael kept himself busy in the amplifier electronics field -- and by 1952 he helped develop the "Sano Accordion Pickup and Matched Amplifier," distributed soley by the Major Music Company of Irvington, New Jersey. For Sano he continued using designs, electronic and cosmetic, similar to those he had originated for the Michael-Hull company. According to the advertisement in Musical Merchandise Magazine for June 1952, the "matched " pickup and amp were "developed by accordion men -- for accordion men." Later iun the '50s, Sano brought out a variety of amplifiers."
I got the book abaout the time it came out. It's an interesting story and well written. I own a '66 Reverberocket 2 and a '68 Gemini 12.
-Scott